Secrets of the Imperial Lands

In the East, a great Emperor holds sway.

His vast and elegant empire is home to The Assassin's Opera, the Gongs of Inversion, the Lair of the Malachite Beast, and much more.

10$ in The Store.

The Complete Sandbox Kit

I have a bunch of tables and tools I use regularly at the table outside the ones already published in, like Vornheim and similar books, like the one in these pages for making random dungeons quickly that still have enough structure and logic to go beyond "monsters in rooms", while being flexible enough to handle a variety of different settings:

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I put this one and all the others (about a dozen) into the Cube World Sandbox Kit. 24 pages, with pictures, now available in The Store for 20$.

I Am The Weapon (you can have it)

Once upon a time I was commissioned to write a superhero game and I called it I Am The Weapon. 

Basically, someone saw the draft rules for Demon City and was like "Hey do you think a superhero game could work like this?" I explained that since Demon City was basically written for a power scale where humans are 1-5 and bad supernatural things are up in 6-10 it'd need some tweaking, but that most of the underlying ideas seemed to translate pretty well.

Instead of using tarot cards, like in Demon City, I came up with a system where different power levels use different dice, but the most fun part was putting together the character generation system:

The basic problem was that because superhero systems are characterized by the wild variety of their abilities, most superhero RPGs had disappointing character generation. You either have systems where you imagine a character and then bang on the system until it spits that character out--which is fine as far as it goes, but doesn't really get the system participating in helping to make the character more interesting, or give you new ideas--or systems where character generation is so random it results in characters that don't really feel like "real" superheroes.

My solution was to take the parts of character generation systems that were fun--you see something interesting within reach, you go for it, you pay for it by adding a twist onto the character you didn't see coming that, in turn, makes the character feel more real--and making the whole system about that. I also drew webs of overlapping "clusters" of superpowers that tended to be thematically tied together and built in options to make those available once you'd gotten a power "nearby" so that nobody was forced into making Rollerskating Ramhorn Man. Character generation in I Am The Weapon involves a lot of random rolls, but the rolls lead to choices, and I made an effort to make the choices the kind that had something for everyone.

It seemed to work out.

I ran playtests in random teams, usually three vs three, first with just my friends and then with people recruited off my discord. It was popular. The biggest fan was Fiona Geist--aka FM Geist aka coilingoracle--I told her "Fiona, whenever you can get five other people to agree to play over videochat all at the same time, I'll run a playtest". Everybody wanted in.

Inside baseball: Since it was discord, a lot of the playtesters were part of the 4channy clique surrounding Shoe Skogen, Emmy Allen / Cavegirl that Chris McDowall brought in through his OSR server, and all those people, who turned out to be basically sociopaths once my ex went insane--Fiona herself very much included. It might've explained why they all had so much time on their hands, I don't know. Anyway, it was very weird--people who'd cheerfully showed up for weeks on end to play supergames, roll dice and trade X-Men jokes with me were, less than a week later, suddenly patting each other on the back for spouting fascist rhetoric and explaining that "facts" and "evidence" were outdated pre-internet concepts and anyone accused was always guilty. Good times.

Anyway the point is:  it wasn't just my friends who liked it--the worst people in the world had to admit it was a pretty good game, and kept coming back for more.

I never got to finish it or do the pictures--the publisher decided it was pointless to release anything once the harassment campaign kicked off--but I did get a lot on paper. I Am The Weapon not only had complete rules and every super-power anybody ever managed to think up from superspeed to whatever the fuck B'Wana Beast does to animals to rules for those guys who just are the world's best at boomerangs, it had rules for superscience inventions and occult rituals (surprisingly similar in comics, actually), sample PCs (instead of making up a fake superhero mythology for the characters, I made up a fake publication history--so there was a psychedelic '60s eurocomics version of The Fashionista and a postmodern pseudo-Vertigo one), every table I could imagine wanting to improvise superhero stuff during a game, from random star-tyrants to crime-bosses, and even some alternate universes:

The Transparent Earth (28th Century)

Possible Future

In the so-called “Transparent Earth” future, 99% of humanity lives in the Polystructure—a tightly-packed lattice of clear, spherical, plastic pods approximately the size of a modern apartment, extending off the surface of the planet-proper in every direction, like layers of bubble wrap around a marble. The concept of privacy no longer exists and collective life mostly consists of conceiving of-, and carrying out-, various schemes for optimizing the flow of various forms of nourishment and pleasure from one part of The Polystructure to the other and dealing with occasional “hookworms” (a catch-all term for people and organizations scheming to disrupt this flow). The Transparent Earth first appeared in Trajectory #1 as the future from which the near-omniscient heroine and her gravity-shifting engines—depicted as a common and convenient piece of technology for moving through The Polystructure—originated.

Problems In The Polystructure

1. Hazard of unknown origin—possibly alien—has collided with and depopulated 56 layers of 30-North 110-West sector.

2. Nutrient tubes diverted to feed massive sentient bioweapon.

3. Custom sex-clones siphoned off to incorrect sector by pervert hookworm for beyond-regulation-size orgy.

4. Malfunctioning emergency system has shot 8 pods into interplanetary space, the inhabitants must be rescued in the next 24 hours.

5. War cultists insisting that life-or-death conflict is a natural human need performing random acts of sabotage to make enemies.

6. Moralizing sector of population discovers they have been secretly (and blissfully) sequestered from contact with more interesting majority.

First Responders In The Polystructure

1. Targeted Violence Squad in colored and bulky padded life-support suits on hovering disks, carrying plug-rifles, set to stun.

2. Angry locals emerge from their bubbles, waving dangerous multipurpose kitchen and gardening gauntlets.

3. Segmented and worm-limbed security droids that emit stun fields after leaping onto targets.

4. Sprinkler system sprays chemical paralytic.

5. Nothing, but network of gnatlike tracer-drones observes and tracks culprits.

6. Surgical Entrapment Team sends agent disguised as desirable civilian/victim/ally to lure perpetrator into a position more tactically advantageous to the authorities.

Some Notable Pods

1. Zoo pod half-filled with sea water where cat-manatee hybrids romp.

2. Reservoir pod filled with chemical parylitic for use in security system.

3. Dispensary pod filled medical supplies, non-perishable foods, tools, etc in fist-sized hyperdegradable plastic bubbles.

4. Site of recent IED murder—blood paints the inside of the pod.

5. Nonconforming artist has rebuilt pod as a cube.

6. Clone-incubation pod.

Rules And Play In The Transparent Earth

By the time the Polystructure is built, the Earth is so transformed that you’ll need Local Culture/Customs (Polystructure), Local Machines (Polystructure), and Local Weapons  (Polystructure) to fully grasp what’s going on here. The language is also different, though not incomprehensible to modern English speakers.

Anyway, the game will probably never see the light of day now, but I put together a version of all this stuff that was written for the game so that people who were interested could see it and maybe try it out.

So far it works, but with hundreds of interacting superpowers there are probably some things that could be tightened up.

It's 20$ in The Store.

The Cube World Atlas

 

A visual guide to the world containing Vornheim, the Red & Pleasant Land, the Devoured Land from Frostbitten & Mutilated, the Maze of the Blue Medusa and every other thing I made up for my campaign.

15 maps, 14 continents, with overviews of what goes on in each one, including major cities and landmarks, notes on encounters, and a few options for sandbox campaigns that can take your players all over the Cube.

20$--now available in The Store.

Tower of the Rakshasa

 It is always night-time when you find the tower, located somewhere in the Peacock Isles. It appears to be ancient, neglected, crumbling...

A dungeon in the Peacock Isles, along with an introduction to the Isles themselves. Now available in The Store--12$.